In Which Shall be Examined Films, Art, and their Intersections (or Lack Thereof)

Saturday, March 13, 2010

Music People Will be Listening to in a Hundred Years

Here's a little list of 20 or so songs I've picked which I believe are on a par with the greats of classical music. These songs, and others like them, will be as much a part of the future's musical consciousness as Beethoven's 9th symphony, Tchaikovsky's The Nutcracker, and Aaron Copland's Appalachian Spring. And although there are whole CDs of soundtracks that I believe will endure, I thought I'd begin with some of their very best tracks.

The Half Killed from "Atonement", by Dario Marianelli
Elegy for Dunkirk from "Atonement", by Dario Marianelli
End Titles from "Emma", by Rachel Portman
The Battle from "Gladiator", by Hans Zimmer
Patricide from "Gladiator", by Hans Zimmer
The Illusionist from "The Illusionist", by Philip Glass
War Adagio from "Joyeux Noel (Merry Christmas)", by Phillipe Rombi
Alex's Father from "The Lake House", by Rachel Portman
Wait for Me from "The Lake House", by Rachel Portman
Elk Hunt from "The Last of the Mohicans", by Trevor Jones
A Father's Wish from "Leap Year", by Randy Edelman
Orchard House from "Little Women", by Thomas Newman
The Steward of Gondor from "The Return of the King", by Howard Shore
Forth Eorlingas from "The Two Towers", by Howard Shore
Liz on Top of the World from "Pride & Prejudice", by Dario Marianelli
Darcy's Letter from "Pride & Prejudice", by Dario Marianelli
To Die for Love from "Sense and Sensibility", by Patrick Doyle
The Gravel Road from "The Village", by James Newton Howard
The Vote from "The Village", by James Newton Howard
Taken from "The Last Samurai", by Hans Zimmer

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